Si è svolta ieri sera, sabato 6 gennaio, la prima delle due serate di premiazione dei Creative Arts Emmy Awards, i premi tecnici dell’industria televisiva americana, rinviati di diversi mesi a causa del doppio sciopero degli attori e degli sceneggiatori. I Primetime Emmy Awards si terranno poi il prossimo weekend.
A guidare la serata The Last of Us, che ha ricevuto ben otto premi, tra cui due per le migliori guest star in una serie drammatica (Nick Offerman e Storm Reid), migliori effetti visivi, montaggio e sonoro. Le migliori guest star in una commedia, invece, sono Judith Light (Poker Face) e Sam Richardson (Ted Lasso).
Anche The White Lotus, The Bear e Mercoledì hanno raccolto un buon numero di premi, con quattro riconoscimenti ciascuno. Beef – Lo scontro, invece, ha portato a casa tre premi.
Al Yankovic ha ritirato il premio per il miglior film tv, assegnato a Weird: The Al Yankovic Story, andato in onda su Roku.
Due premi sono andati a Daisy Jones & the Six e a La fantastica signora Maisel, mentre The Boys ha ricevuto il premio per i migliori coordinatori degli stunt.
Da segnalare una vittoria tutta italiana: il premio al miglior casting per una serie drammatica per The White Lotus (stagione 2), che include i responsabili italiani del casting Francesco Vedovati e Barbara Giordani.
CREATIVE EMMY AWARDS 2023 – VINCITORI PRIMETIME
Outstanding Television Movie
“Weird: The Al Yankovich Story” (The Roku Channel)
Outstanding Guest Actor in a Comedy Series
Sam Richardson, “Ted Lasso” (Apple TV+)
Outstanding Guest Actress in a Comedy Series
Judith Light, “Poker Face” (Peacock)
Outstanding Guest Actor in a Drama Series
Nick Offerman, “The Last of Us” (HBO)
Outstanding Guest Actress in a Drama Series
Storm Reid, “The Last of Us” (HBO)
Outstanding Actor in a Short Form Comedy or Drama Series
Tim Robinson, “I Think You Should Leave with Tim Robinson” (Netflix)
Outstanding Actress in a Short Form Comedy or Drama Series
Jasmine Guy, “Chronicles Of Jessica Wu” (Prime Video)
Outstanding Choreography for Scripted Programming
Jon Boogz, “Blindspotting” (Starz)
Outstanding Casting for a Drama Series
Meredith Tucker, Francesco Vedovati, and Barbara Giordani, “The White Lotus” (HBO)
Outstanding Casting for a Limited or Anthology Series or Movie
Charlene Lee and Claire Koonce, “BEEF” (Netflix)
Outstanding Casting for a Comedy Series
Jeanie Bacharach, Jennifer Rudnicke, Mickie Paskal, and AJ Links, “The Bear” (FX)
Outstanding Period Costumes for a Series
Sharon Long, Claire Tremlett, Basia Kuznar, and Anna Lau, “The Great” (Hulu)
Outstanding Period Costumes for a Limited or Anthology Series or Movie
Denise Wingate and Derek Sullivan, “Daisy Jones & The Six” (Prime Video)
Outstanding Fantasy/Sci-Fi Costumes
“House of the Dragon” (HBO)
Outstanding Contemporary Costumes
“Wednesday” (Netflix)
Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie
“BEEF” (Netflix)
Outstanding Prosthetic Makeup
“The Last of Us” (HBO)
Outstanding Contemporary Makeup (Non-Prosthetic)
“Wednesday” (Netflix)
Outstanding Period and/or Character Makeup (Non-Prosthetic)
“The Marvelous Mrs. Maisel” (Prime Video)
Outstanding Period and/or Character Hairstyling
Nic Collins and Giorgio Galliero, “Queen Charlotte: A Bridgerton Story” (Netflix)
Outstanding Contemporary Hairstyling
Miia Kovero, Elena Gregorini, and Italo Di Pinto, “The White Lotus” (HBO)
Outstanding Stunt Coordination for a Drama Series, Limited or Anthology Series or Movie
John Koyama, “The Boys” (Prime Video)
Outstanding Stunt Coordination for a Comedy Series or Variety Program
Wade Allen, “Barry” (HBO)
Outstanding Stunt Performance
Lateef Crowder, Paul Darnell, JJ Dashnaw, and Ryan Ryusaki, “The Mandalorian” (Disney+)
Outstanding Production Design for a Narrative Program (Half-Hour)
Patrick Howe, Jordan Jacobs, and Rich Murray, “Only Murders in the Building” (Hulu)
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)
Mark Scruton, Adrian Curelea, and Robert Hepburn, “Wednesday” (Netflix)
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)
Tamara Deverell, Brandt Gordon, and Shane Vieau, “Guillermo del Toro’s Cabinet of Curiosities” (Netflix)
Outstanding Special Visual Effects in a Season or a Movie
“The Last of Us” (HBO)
Outstanding Special Visual Effects in a Single Episode
“Five Days at Memorial” (Apple TV+)
Outstanding Main Title Design
“The Last of Us” (HBO)
Outstanding Motion Design
“Ms. Marvel” (Disney+)
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation
“The Bear” (FX)
Outstanding Sound Editing for a Comedy or Drama Series (One Hour)
“The Last of Us” (HBO)
Outstanding Sound Editing for a Limited or Anthology Series or Movie
“Prey” (Hulu)
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
Steve “Major” Giammaria and Scott D. Smith, “The Bear” (FX)
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
Marc Fishman, Kevin Roache, and Michael Playfair, “The Last of Us” (HBO)
Outstanding Sound Mixing for a Limited or Anthology Series or Movie
Lindsey Alvarez, Mathew Waters, Chris Welcker, and Mike Poole, “Daisy Jones & The Six” (Prime Video)
Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)
Leo Birenberg and Zach Robinson, “Weird: The Al Yankovic Story” (The Roku Channel)
Outstanding Music Composition for a Series (Original Dramatic Score)
Cristóbal Tapia de Veer, “The White Lotus” (HBO)
Outstanding Music Supervision
Gabe Hilfer, “The White Lotus” (HBO)
Outstanding Original Music and Lyrics
Ed Sheeran, Foy Vance, and Max Martin “Ted Lasso” (Apple TV+)
Outstanding Original Main Title Theme Music
Danny Elfman, “Wednesday” (Netflix)
Outstanding Multi-Camera Picture Editing for a Comedy Series
Kirk Benson and Chris Poulos, “Night Court” (NBC)
Outstanding Single-Camera Picture Editing for a Comedy Series
Joanna Naugle, “The Bear” (FX)
Outstanding Single-Camera Picture Editing for a Drama Series
Timothy A. Good and Emily Mendez, “The Last of Us” (HBO)
Outstanding Single-Camera Picture Editing for a Limited or Anthology Series or Movie
Nat Fuller and Laura Zempel, “BEEF” (Netflix)
Outstanding Cinematography for a Limited or Anthology Series or Movie
Natalie Kingston, “Black Bird” (Apple TV+)
Outstanding Cinematography for a Single-Camera Series (Half-Hour)
Christian Sprenger, “Atlanta” (FX)
Outstanding Cinematography for a Single-Camera Series (One Hour)
M. David Mullen, “The Marvelous Mrs. Maisel” (Prime Video)
Fonte: Emmys
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