In vista degli Oscar sono stati consegnati due importanti premi di categoria a Hollywood: gli American Cinema Editors Awards, i premi del sindacato dei montatori, e i Motion Pictures Sound Editors Golden Reel Awards.

In entrambi i casi, Il processo ai Chicago 7 ha conquistato i premi principali.

Alan Baumgarten ha ricevuto il premio per il miglior montaggio in un lungometraggio drammatico, battendo Sound of Metal, Mank, Minari e Nomadland. Soul ha ricevuto il premio per il montaggio nell’animazione, mentre Palm Springs è stato premiato come miglior montaggio in un lungometraggio comico. My octopus teacher, tra i favoriti nella sezione documentario agli Oscar, ha vinto il rispettivo premio. Spike Lee ha ottenuto l’ACE Golden Eddie Filmmaker of the Year Award.

Negli ultimi 15 anni, 12 volte il vincitore dell’Eddie per il montaggio in un film drammatico ha vinto l’Oscar per il miglior montaggio. L’anno scorso, Parasite ha ricevuto il premio e il relativo Oscar.

I premi:

Best Edited Feature Film – Dramatic

“The Trial of Chicago 7” (Alan Baumgarten, ACE)

Best Edited Feature Film – Comedy

“Palm Springs” (Matthew Friedman, ACE and Andrew Dickler)

Best Edited Animated Feature Film

“Soul” (Kevin Nolting, ACE)

Best Edited Documentary – Feature

“My Octopus Teacher” (Pippa Ehrlich, Dan Schwalm)

Best Edited Documentary – Non-Theatrical 

“The Last Dance” (Episode I)  (Chad Beck, ACE, Devin Concannon, Abhay Sofsky, Ben Sozanski, ACE)

Best Edited Comedy Series for Commercial Television 

“Schitt’s Creek” (Happy Ending) (Trevor Ambrose, CCE)

Best Edited Comedy Series for Non-Commercial Television 

“Ted Lasso” (Make Rebecca Great Again) (Melissa McCoy)

Best Edited Drama Series for Commercial Television

“Better Call Saul” (Bad Choice Road) (Chris McCaleb, ACE, Joey Liew)

Best Edited Drama Series for Non-Commercial Television

“Ozark” (Wartime) (Cindy Mollo, ACE)

Best Edited Limited Series or Motion Picture

“The Queen’s Gambit” (Exchanges) (Michelle Tesoro, ACE)

Best Edited Non-Scripted Series 

“Cheer” (Kate Hackett, Arielle Kilker, Daniel McDonald, Mark Morgan, David Nordstrom, Sharon Weaver, Ted Woerner)

Best Edited Variety Talk/Sketch Show or Special

“David Byrne’s American Utopia” (Adam Gough, ACE)

Best Edited Animation – Non-Theatrical

“Rick and Morty” (Rattlestar Ricklactica) (Lee Harting)

Anne V. Coates Award for Student Editing 

Samuel Bailey – University of North Carolina School of the Arts

 

Per quanto riguarda i Golden Reel Awards, l’associazione Motion Pictures Sound Editors ha premiato Soul, Tenet, Greyhound, Eurovision Song Contest oltre a Il processo ai Chicago 7. Quest’anno agli Oscar al posto delle due categorie sul suono ce ne sarà solo una, Miglior sonoro. Tra i nominati vi sono Greyhound e Soul, mentre il film di Aaron Sorkin non è candidato.

Il MPSE Filmmaker Award è andato a George Miller, regista di Mad Max. Il premio alla carriera invece è andato a Dennis Drummond.

Full list of winners below:

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

The Trial of the Chicago 7

Netflix

Supervising Sound and ADR Editor: Renee Tondelli

Dialogue Editors: Michael Hertlein, MPSE; Jeena Schoenke, Jon Michaels

Outstanding Achievement in Sound Editing – Feature Animation

“Soul”

Disney

Supervising Sound Editor: Coya Elliott, Ren Klyce

Sound Designer: Ren Klyce

Sound Effects Editors: Kimberly Patrick, Jonathan Stevens, Steve Orlando

Supervising Dialogue Editor: Cheryl Nardi

Foley Editors: Thom Brennan, Dee Selby

Foley Artists: John Roesch, MPSE; Shelley Roden, MPSE

Music Editors: Sally Boldt, Justin Pearson

Outstanding Achievement in Sound Editing – Feature Documentary

“The Reason I Jump”

Vulcan Productions

Supervising Sound Editor: Nick Ryan

Sound Effects Editors: Laurence Love Greed, Alexej Mungersdorff, Jack Wensley

Dialogue Editor: Jamie McPhee

Foley Editor: Srdjan Kurpjel

Outstanding Achievement in Sound Editing – Foreign Language Feature

“The Eight Hundred”

CMC Pictures

Supervising Sound Editor and Editor: Kang Fu

Sound Effects Editor: Steve Miller

Dialogue Editor: Ai Long Tan

Foley Artist: Lan Long

Music Editor: Fei Yu

Outstanding Achievement in Sound Editing – Feature Underscore

“Tenet”

Warner Bros.

Supervising Music Editor: Alex Gibson

Music Editor: Nicholas Fitzgerald

Outstanding Achievement in Sound Editing – Feature Musical

“Eurovision Song Contest: The Story of the Fire Saga”

Netflix

Music Editors: Allegra De Souza, Peter Oso Snell, MPSE; Jon Mooney

Outstanding Achievement in Sound Editing – Feature Effects / Foley

“Greyhound”

Apple TV+

Supervising Sound Editors: Warren Shaw, Michael Minkler

Associate Supervising Sound Editor: Will Digby, MPSE

Sound Designers: Ann Scibelli, Jon Title

Sound Effects Editors: Jeff Sawyer, Richard Kitting, Odin Benitez, MPSE; Jason King

Foley Editor: Luke Gibleon

Foley Artist: Marko Costanzo

Outstanding Achievement in Sound Editing – Live Action Under 35:00

“Servant” (2:00)

Apple TV+

Supervising Sound Editor: Sean Garnhart

Sound Effects Editor: Mark Filip

Dialogue Editor: Michael Feuser

Music Editor: Lesley Langs

Foley Editor: Julien Pirrie

Foley Artist: Gareth Rhys Jones

Outstanding Achievement in Sound Editing – Episodic Short Form – Music

“Vikings” (The Best Laid Plans)

Amazon

Music Editors: Yuri Gorbachow, MPSE; Lise Beauchesne

Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR

“Mandalorian S2: Chapter 13: The Jedi”

Disney+

Supervising Sound Editors: Matthew Wood, David Acord

Dialogue Editor: Richard Quinn

ADR Editor: James Spencer

Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley

“Mandalorian S2: Chapter 13: The Jedi”

Disney+

Supervising Sound Editor: David Acord, Matthew Wood

Sound Effects Editors: Benjamin A. Burtt, J.R. Grubbs

Foley Editor: Richard Gould

Foley Artists: Ronni Brown, Jana Vance

Outstanding Achievement in Sound Editing – Episodic Long Form – Music

“The Queen’s Gambit” (Adjournment)

Netflix

Music Editor: Tom Kramer

Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue / ADR

“The Queen’s Gambit” (End Game)

Netflix

Supervising Sound Editors: Gregg Swiatlowski, Eric Hirsch

Sound Designer: Wylie Stateman

Dialogue Editors: Mary Ellen Porto, MPSE; Eric Hoehn

Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley

** TIE **

“The Queen’s Gambit” (End Game)

Netflix

Supervising Sound Editors: Gregg Swiatlowski, Eric Hirsch

Sound Designer: Wylie Stateman, MPSE

Sound Effects Editors: Patrick Cicero, James David Redding III, Leo Marcil, Eric Hoehn

Foley Artist / Editor: Rachel Chancey

“Star Trek: Picard” (Et in Arcadia Ego, Part 2)

CBS All Access

Supervising Sound Editor: Matthew E. Taylor

Sound Designers: Tim Farrell, Harry Cohen, MPSE

Sound Effects Editor: Michael Schapiro

Foley Editors: Clay Weber, Darrin Mann

Foley Artists: Alyson Dee Moore, Chris Moriana

Outstanding Achievement in Sound Editing – Single Presentation

“A Christmas Carol”

FX

Supervising Sound Editor: Lee Walpole, MPSE

Sound Effects Editors: Saoirse Christopherson, Tom Stewart, Andy Kennedy

Dialogue Editor: Iain Wilkinson

Foley Artists: Catherine Thomas, Anna Wright

Music Editor: Cecile Tournesac

Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form

“Mortal Kombat Legends” (Scorpion’s Revenge)

Warner Bros. Animation

Supervising Sound Editors: Rob McIntyre, MPSE; D.J. Lynch

Supervising ADR Editor: Mark A. Keatts, MPSE

Sound Effects Editors: Lawrence Reyes, Roger Pallan, Ezra Walker

Dialogue Editors: Mike Garcia, MPSE; Kelly Foley Downs, David M. Cowan, Patrick Foley

Sound Designers: Marc Schmidt, Evan Dockter

ADR Editors: Mark Mercado, Jon Abelardo

Foley Editors: Roberto Allegria, Derek Swanson

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

“Laurel Canyon” (A Place in Time: Episode 1)

EPIX/Amblin

Supervising Sound Editor: Jonathan Greber

Sound Effects Editor: Lucas Miller

Outstanding Achievement in Sound Editing – Non-Theatrical Feature

“The Ultimate Playlist of Noise”

Hulu

Supervising Sound Editor: Odin Benitez, MPSE

Supervising ADR Editor: Ryan Briley

Sound Designer: Russell Topal, MPSE

Foley Editor: Rustam Gimadlyev

Foley Artists: Bogdan Zavarzin, Natalia Syeryakova

Music Editor: Katerina Tolkishevskaya

Outstanding Achievement in Sound Editing – Computer Cinematic

“The Last of Us Part II”

Sony Interactive Entertainment

Supervising Sound Editor: Shannon Potter

Sound Effects Editors: Patrick Ginn, Kyle Bailey, Michael Finley, Chad Bedell, Eric Paulsen, Keith Bilderbeck, Jim Diaz

Foley Artists: Dawn Fintor, Alicia Stevenson

Audio Director: Robert Krekel

Sound Designers: Justin Mullens, Beau Jimenez, Neil Uchitel, Jesse Garcia, MPSE; Michael Marchisotto

Supervising Music Editors: Rob Goodson, Scott Shoemaker

Music Editors: Anthony Caruso, Tyler Crowder, Sonia Coronado, Adam Kallibjian, Adam Kallibjian, James Zolyak, Ted Kocher, Scott Bergstrom, Tao-Ping Chen

Outstanding Achievement in Sound Editing – Computer Interactive Game Play

“The Last of Us Part II”

Sony Interactive Entertainment

Audio Director: Robert Krekel

Supervising Sound Editor: Shannon Potter

Supervising Dialogue Editor: Maged Khalil Ragab

Supervising Music Editors: Rob Goodson, Scott Shoemaker

Sound Designers: Neil Uchitel, Beau Jimenez, Justin Mullens, Jesse Garcia, MPSE; Michael Marchisotto, Derek Brown, Jordan Denton

Dialogue Editors: Grayson Stone, Julius Kukla, Thomas Barrett, Jaime Marcelo, Erik Schmall, Duncan Brown, Cesar Marenco

Foley Editor: Eolyne Arnold, MPSE

Sound Effects Editors: Patrick Ginn, Michael Finley, Kyle Bailey

Music Editors: Anthony Caruso, Tyler Crowder, Tao-Ping Chen, Sonia Coronado, Adam Kallibjian, Samuel Marshall, James Zolyak, Ted Kocher, Scott Bergstrom

Foley Artists: Dawn Fintor, Alicia Stevenson

Outstanding Achievement in Sound Editing – Animation Short Form

“Baba Yaga”

Baobab Studios

Supervising Sound Editor: Scot Stafford

Sound Designers: Andrew Vernon, Jamey Scott, MPSE
Sound Effects Editor: Brendan Wolf

Music Editor: Rex Darnell

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

“The Unknown”

The National Film and Television School

Supervising Sound Editor: Yin Lee

Sound Designer: Yin Lee

 

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La cerimonia principale inizierà, come da tradizione, alle 2 del mattino ora italiana e verrà trasmessa da Sky. Noi di BadTaste.it, lo ricordiamo, seguiremo la Notte degli Oscar a partire dalle 23:30 in diretta su Twitch, e nella giornata di domenica  parteciperemo alla lunga maratona diurna sul canale della SlimDogs: alle 18 Gabriele Niola discuterà della categoria miglior regia assieme a Gabriele Mainetti, alle 20 Andrea Bedeschi discuterà delle categorie attore/attrice assieme ad Andrea Arcangeli e alle 23.30 Francesco Alò discuterà della categoria miglior film insieme a Claudio Di Biagio.

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